“Beauty radiating from our brain immerses our bodies and leaves a beautiful imprint on the mind of others”~ Prof. Dr. Parin Somani Prof. Dr. Parin Somani is Director of London Organisation of Skills Development and Chief Editor of Global Research Journal , Independent Academic Scholar, TEDx Speaker, Educator, International Motivational Speaker, Author, Writer, Banker, Humanitarian, Philanthropist and Multi-International Award Winner. Her belief in the importance of education and lifelong learning has led Prof. Dr. Parin Somani to achieve Eight Doctorate degrees. Prof. Dr. Parin Somani has also been recognised Five times in the World Book of Records, Twice in the India Book of Records, Asia Book of Records, Karnataka Book of Records and also in the Golden Book of World Records. Prof. Dr. Parin Somani has published 100+ educational papers, newspaper/magazine articles, 19 books and featured in 200+ videos, 300+ newspapers/ books for her amazing societal contribution. During the COVID-19 pandemic Prof. Dr. Parin Somani has helped to educate 100,000+ people globally through her Humanitarian work . Her strong desire towards creating sustainable societal development and progressing societies towards positive change in the fields of Quality Education (SDG 4) and Gender Equality including Woman Empowerment (SDG 5) has resulted in Dr Parin Somani being invited by many Governors of different States of India and Governmental dignitaries. Prof. Dr. Parin Somani is a true beauty reflected through being honoured with the title of Mrs Universe 2022 where she was crowned by Bollywood Actress Mahek Chahal. In fact, she is the crowned winner of several beauty pageants, including being named a Global Icon, a Beauty with the Brains, and became the Winner of Enigma Mrs World 2022. She is the winner of Mrs India 2021 where she was crowned by Bollywood Actress Aditi Govitrikar. In addition, Prof. Dr. Parin Somani is Winner of Mrs BritAsian 2021, Winner of Mrs Universe International 2021, Winner of Mrs India Global 2021 and runner up of Mrs Queen of India 2021. In May 2022, Prof. Dr. Parin Somani delivered the Keynote address at King’s College, Cambridge at the Global Research Conferences 2023 (GRC 2023). The conference Theme was BUILDING SUSTAINABILITY AFTER THE COVID-19 PANDEMIC. The conference welcomed participants and delegates who travelled from global nations including: United Kingdom, USA, Canada, South Africa, Australia, France, India, Iran and others. It was graced with the presence of the honourable Counsellor Sunil Chopra, Mayor of Southwark, United Kingdom. Participants and delegates found innovative solutions towards helping global societies...
Poster of Hindi short film “Dastak” starring Tushar Kumar, Saru Maini and Sunaina was launched with much fanfare in Mumbai. Dastak was celebrated by cutting a cake on the occasion. Produced by Kumar Charitable Trust (Ashok Shah) and Shruti, the film is directed by Rajiv S. Ruia, written by Priyanka Mehta, music by Rajesh Sharma, sung by Tushar Verma. Actor Tushar Kumar, who has a similar face to Aditya Roy Kapur, lives in Melbourne, Australia, but acting is not his hobby but his passion. He told that in the era of OTT and short films, in such a situation Dastak is a great suspense thriller short film directed by Rajiv S Ruia. It was a memorable experience working with co-actress Saru Maini, she is very professional and supportive. Shooting in the scorching heat in Surat was quite challenging for Tushar Kumar but he never compromised on his work. Actress Saru Maini told that Tushar Kumar has a great passion for work. He comes to India from Melbourne for 8-10 days and does a lot of work here. This short film of 20 minutes also has a theme song which has been shot beautifully. Apart from Dastak, Saru Maini is very excited about her another upcoming project 72 Hoorein which is going to release next month. Poster launch of Hindi short film DASTAK featuring Tushar Kumar – Saru...
लेखक निर्देशक हरिपाल रावत की हिंदी फिल्म “काश सोच लेती एक बार” की अनोखी है कहानी ; रामा मेहरा बेटी और मां एक ही व्यक्ति से प्रेम करने लगें तो सोचे कि क्या सिचुएशन हो सकती है। लेखक निर्देशक हरिपाल रावत की अपकमिंग हिंदी फिल्म “काश सोच लेती एक बार” की कहानी इसी थीम पर बेस्ड है। आर एमजे मीडिया वेंचर प्राइवेट लिमिटेड प्रेजेंट्स इन एसोसिएशन विथ रामा मेहरा प्रोडक्शंस फिल्म “काश सोच लेती एक बार” की प्रेस कॉन्फ्रेंस मुम्बई के इम्पा थिएटर में रखी गई जहां लेखक निर्देशक हरिपाल रावत, रामा मेहरा सहित फ़िल्म से जुड़ी टीम मौजूद थी। फ़िल्म के पोस्टर भी लॉन्च किए गए साथ ही स्पेशल स्क्रीनिंग भी रखी गई। मौजूद लोगों ने फ़िल्म को काफी सराहा। फ़िल्म के प्रोड्यूसर आर एमजे मीडिया वेंचर प्राइवेट लिमिटेड हैं जबकि लेखक निर्देशक हरिपाल रावत ने फ़िल्म के गाने भी लिखे हैं और उन्होंने ही फ़िल्म में मुख्य भूमिका निभाई है। फ़िल्म के संगीतकार हरीश श्रीवास, डीओपी चितरंजन धाल हैं। हरिपाल रावत के अलावा फिल्म में रामा मेहरा, महिमा गुप्ता, वर्षा कापेकर, पृथ्वी, रज़ा मुराद, मोहन जोशी, मुश्ताक खान, शिवा, शशि शर्मा इत्यादि ने अभिनय किया है। रामा मेहरा ने बताया कि हरिपाल रावत एक बेहतरीन लेखक हैं, उनकी कई किताबें प्रकाशित हो चुकी हैं और अब इस फ़िल्म के माध्यम से वह बतौर ऎक्टर निर्देशक भी अपना सफर शुरू कर रहे हैं। उनमें आत्मविश्वास भरा हुआ है और उन्होंने पूरी शिद्दत से फ़िल्म बनाई है। चूंकि उन्होंने कहानी भी लिखी है इसलिए उन्हें हर सीन हर डायलॉग याद था और शूटिंग पर उन्होंने बखूबी परफॉर्म किया है। हरिपाल रावत ने कहा कि मेरा इरादा ऎक्टर या निर्देशक बनने का नहीं था लेकिन जब मैंने देखा कि आज लोग किताबें उस संख्या में नहीं पढ़ते जितने ज्यादा लोग फिल्मे देखते हैं इसलिए अपने विचार को अवाम के सामने पेश करने के लिए मैंने यह फ़िल्म बनाई है। हम लगातार फिल्मे बनाते रहेंगे इसके बाद दो और फ़िल्म भी आ रही है। चूंकि रामा मेहरा की फिल्मों के नाम के से शुरू होता है इसलिए इसका टाइटल काश सोच लेती एक बार रखा। ऐसी कहानी आप लोगों ने शायद ही फिल्मों में देखी होगी जहां मां बेटी एक ही व्यक्ति से मोहब्बत करने लगती हैं। फ़िल्म का म्युज़िक भी इसका प्लस पॉइंट है जिसके गाने मैंने ही लिखे हैं। फ़िल्म जून 2023 में रिलीज होने जा रही है। लेखक निर्देशक हरिपाल रावत की हिंदी फिल्म “काश सोच लेती एक बार” की अनोखी है कहानी ; रामा...
In a remarkable turn of events, a newly released song by artist AB Rockstar featuring Bollywood actress Anjali Sharma has taken the music world by storm, quickly becoming a viral sensation. The catchy tune, which showcases the diva’s quick moves, has captured the hearts of listeners across the globe. Within hours of its release, the song began spreading like wildfire on social media platforms, captivating listeners with its infectious melodies and thought-provoking lyrics. Fans and music enthusiasts alike were instantly drawn to the artist’s distinctive sound, creating a buzz that quickly transformed into a viral phenomenon. The song’s popularity has skyrocketed, amassing amazing views, shares, and downloads across various streaming platforms. Listeners have flooded comment sections, expressing their admiration for the artist’s exceptional musical abilities and praising the song’s relatability and emotional depth. Anjali Sharma, whose rise to prominence has been meteoric, has undoubtedly solidified her position as an artist to be reckoned with in the showbiz. Her unique style, combined with their ability to connect with audiences on a profound level, has garnered widespread acclaim and attention from both fans and industry professionals. Music insiders predict that the viral success of this latest release will open doors for Anjali and present numerous opportunities for collaboration, live performances, and even potential record deals. Industry executives have taken note of her remarkable talent and are eagerly watching as the song continues to climb charts and gain international recognition. As the song continues to go viral, it’s clear that Anjali Sharma has cemented their place among the industry’s brightest stars. Fans and industry professionals eagerly await the artist’s next move, eager to see how they will build upon this incredible success and further leave their mark on the music world. https://www.instagram.com/p/CtWT9EjK2di/ Anjali Sharma’s New Song SAJNA Takes The Internet By Storm Goes Viral...
———-Sundeep Bhutoria By the end of the 1960s, Hindi cinema was poised for a change. The decade had largely been about escapist cinema, and though some of these had great songs, there was little that was creative and path-breaking by way of content. The odd exceptions – Bandini, Sahib Bibi Aur Ghulam, Anupama and Teesri Kasam – only proved the rule about a decade that replaced the artistic aspirations of the 1950s with what has in effect come to define ‘Bollywood song-and-dance’ cinema. The advent of the Film and Television Institute of India (FTII) in 1962 played an important part in this change, with its first batches beginning to enter the industry, bringing in a change in aesthetics. The year 1969 was to be a watershed in the history of Hindi cinema, with three films that proved instrumental in ushering in a new language, heralding the New Wave in Hindi cinema: Mrinal Sen’s Bhuvan Shome, Mani Kaul’s Uski Roti and Basu Chatterjee’s Sara Akash (all three were shot by K.K. Mahajan, who had graduated from the FTII in 1966, and who became synonymous with the New Wave and with the cinema of Basu Chatterjee). Of these three film-makers, Mrinal Sen remained rooted largely to Bengali films and Mani Kaul carved a space for a personal cinema free of commercial considerations. It was Basu Chatterjee who, in conjunction with the films of Hrishikesh Mukherjee and Gulzar, provided an alternative to the big-budget extravaganza of mainstream films of the era (the Manmohan Desais and Prakash Mehras) and the spare aesthetics of arthouse cinema (driven by Shyam Benegal). The importance of Basu Chatterjee lies in the kind of cinema he popularised when juxtaposed against the cinema that ruled the box office at the time. The 1970s was the decade of the big blockbuster – Yaadon Ki Baaraat, Deewaar, Sholay, Amar Akbar Anthony. Yash Chopra and Ramesh Sippy, Nasir Hussain and Shakti Samanta were the dream merchants. Amitabh Bachchan and Dharmendra, Rishi Kapoor and Rajesh Khanna were the role models for the filmy hero, while Zeenat Aman and Hema Malini set a million young hearts aflutter. The aesthetic of Hindi cinema was larger-than-life. They were not heroes and heroines, but the man and woman next door Basu Chatterjee provided an alternative. His debut, Sara Akash, belonged firmly to the New Wave school of spare film-making. He however jettisoned this soon, opting for a middle road between this and the big-budget extravaganza. In doing so he made ‘small’ beautiful and commercially viable. With Rajnigandha (1974), he revolutionised...