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Actress Model Divya Karkhur Gorgeous Hot And Sexy Pics

Actress Model Divya Karkhur Gorgeous Hot And Sexy Pics   Actress Model Divya Karkhur Gorgeous Hot And Sexy...

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कर्णिका मंडल ऐतिहासिक फिल्म ‘याना’ में राहुल बी कुमार के साथ नजर आएंगी

कर्णिका मंडल ‘याना…?’ की मुख्य अभिनेत्री के रूप में सुर्खियों में हैं, और प्रोडक्शन टीम के अनुसार, यह एक “आश्चर्यजनक और चुनौतीपूर्ण भूमिका” है। उनका किरदार कथित तौर पर 1840 के दशक के ऐतिहासिक किरदारों से प्रेरित है, जिसके लिए व्यापक तैयारी और भावनात्मक विविधता की आवश्यकता थी। कर्णिका मंडल कहती हैं, “इस फ़िल्म की कहानी सुनने के बाद मुझे यकीन है कि यह मेरी ड्रीम फ़िल्म है जिसका मैं अपने फ़िल्मी करियर में बेसब्री से इंतज़ार कर रही थी।” “कर्णिका मंडल इस बायोपिक में अपने किरदार में असाधारण गहराई लाती हैं,” प्रोडक्शन से जुड़े एक सूत्र ने बताया। “इस किरदार के लिए शारीरिक बदलाव और एक बिल्कुल अलग दौर के किरदार में मानसिक रूप से डूब जाना ज़रूरी है।” प्री-प्रोडक्शन के दौरान, अभिनेत्री को विभिन्न ऐतिहासिक स्थलों पर देखा गया है, जहाँ वे 1840 के दशक के भारत में महिलाओं के सामाजिक संदर्भ को बेहतर ढंग से समझने के लिए कलाकृतियों और ऐतिहासिक दस्तावेजों का अध्ययन करती हैं। ऐतिहासिक सटीकता के प्रति उनका समर्पण, फिल्म की प्रामाणिक कहानी कहने की प्रतिबद्धता को दर्शाता है, भले ही इसमें संगीत की शैली अलग-अलग हो। श्री प्रजापति के निर्देशन में, ‘याना…?’ एक बहुभाषी प्रोडक्शन के रूप में आकार ले रही है, जिसे हिंदी, तेलुगु, तमिल, कन्नड़ और मलयालम में एक साथ रिलीज़ किया जाएगा। यह महत्वाकांक्षी दृष्टिकोण फिल्म में चित्रित ऐतिहासिक घटनाओं के अखिल भारतीय महत्व को दर्शाता है, साथ ही पूरे उपमहाद्वीप में विविध भाषाई दर्शकों तक पहुँचने के लिए प्रोडक्शन टीम की प्रतिबद्धता को भी दर्शाता है। बहुभाषी निर्माण रणनीति में केवल फिल्म की डबिंग ही शामिल नहीं है, बल्कि प्रत्येक क्षेत्रीय संस्करण के लिए सांस्कृतिक और भाषाई बारीकियों को अपनाना भी शामिल है, जिससे विभिन्न दर्शकों के साथ प्रामाणिक तालमेल सुनिश्चित होता है। प्रजापति की निर्देशकीय दृष्टि इस जटिलता को समाहित करते हुए सभी भाषाई संस्करणों में कथात्मक सामंजस्य बनाए रखती है। श्री प्रजापति की रचनात्मक दृष्टि को कुशल पेशेवरों की एक टीम का समर्थन प्राप्त है। फिल्म की पटकथा और संवाद पिंकू दुबे और सोनू दंडोरिया ने लिखे हैं। कहानी कहने का यह सहयोगात्मक दृष्टिकोण सुनिश्चित करता है कि ऐतिहासिक कथा तथ्यात्मक अखंडता और नाटकीय प्रभाव, दोनों को बनाए रखे। संगीतकार देव चौहान को एक ऐसा संगीत परिदृश्य रचने का काम सौंपा गया है जो लगभग दो शताब्दियों के संगीत विकास को जोड़ता हो। ‘याना…?’ के उनके साउंडट्रैक में 1840 के दशक की प्रामाणिक पारंपरिक रचनाएँ शामिल होंगी, साथ ही समकालीन तत्व भी शामिल होंगे—खासकर एक अंग्रेजी भाषा का गीत जो अंतरराष्ट्रीय स्तर पर लोकप्रिय हो। Follow...

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“Echoes Of Silence” An Exhibition Of Photographs By Eminent Photographer Dev Inder In Jehangir Art Gallery

12th to 18th November 2025 “Echoes of Silence” An Exhibition of Photographs By Eminent Photographer DevInder VENUE: Jehangir Art Gallery Terrace Gallery 161-B, M.G. Road Kala Ghoda, Mumbai 400001 Timing: 11am to 7pm Contact: +91 9872401204 This show was inaugurated on 12th November 2025 by Honourable Guest Mr. Rishiraj Sethi (CA, CFA Director, Aura Art Development Pvt. Ltd. in the presence of Mr. Sidharth(Eminent Artist), Gurcharan Singh(Eminent Artist), Mr. Mukesh Parpiani (Eminent Photographer), Bhupinder Brar, Jaspal Kamana, Ram Pratap Verma, Nirlep Singh, Amarjit Grewal, Subhash Parihar among others, Dev Inder tries to comprehend the world of relationships through is photography work. Therefore, the three dimensional space he steps into becomes a suggestion and a cue for him creating “a relationship between two figures that had not existed before” John Szarkowski in The Photographer’s Eye. Endowed with an acute sense of seeing everything in the landscape comes forward to help unlock the doors of perception. Things like fallen branches, everydayness of a billboard,  reeds bending light’ly to the breeze, earth as seed of grass, clouds emanations of the trees, autumnal ciphers of grass are the anagrams he tries to read through portal of 35 mm. This diversity enhances his range of expression  with images happening at the focal plane of his artistic consciousness. Nothing dies. The ephemeral and the eternal coexisting as juxtaposed poles guide the compassionate lense of Dev Inder. Whatever he touches comes alive. “Landscape are culture before they are nature; constructs of the imagination projected onto wood, and water and rock.” Simon Schama (Landscape and Memory). And so, imbued with presences; actual or of the imagination Dev Inder’s pictures are the sites where he goes looking for resolution. The photographer till the moment of shutter release is a condensed presence, all faculties summoned just to see. The very next moment everything evaporates; the scene, the self, the eye. The photographer folds his tripod and walks back. Behind his back the scene disintegrates into a lot of rock, trees, water and light. What of the nature shall we capture in a moment so profound? Dev Inder recounts visiting the same place to have a better shot but concludes “It’s not worth it. The moment was only  then.” Aware of the paradox, Dev Inder invites life into the landscape with all its presences, real or metaphoric, arranging them in a rhythmic correspondence. The sky and the clouds in the  pictures lend weight to the frames, at once embracing and inhabiting the...

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“UTKARSA” Celebrating JMS Mani’s Mastery (1948-2021) I Retrospective Exhibition at Jehangir Art Gallery

From: 11th to 17th November 2025 “UTKARSA” Celebrating JMS Mani’s Mastery (1948-2021) VENUE: Jehangir Art Gallery 161-B, M.G. Road, Kala Ghoda, Mumbai 400001 Timing: 11am to 7pm Contact: +91 9886598387, +91 9538449359 This show was inaugurated on 11th November 2025 by Honourable Guests Mr. Anant Nikam(Veteran print maker, artist and former HOD all department of Sir J.J. School of Arts), Mr. Gourmoni Das(Director & Founder of Nine Fish Gallery and Dot Line Space Foundation), Ms. Ranjitha S – Director & Founder of JMS Mani studio daughter of JMS Mani, Mr. Darshan Kumar YU – Curator(muesmuseologist), artist & Thinker, Sushma Sabnis – Art writer & curator among others. UTKARSA marks a sincere tribute to the life and creative legacy of J. M. S. Mani (1948–2021), one of Karnataka’s most revered modern artists and a transformative educator. Curated by Darshan Kumar YU, Curator(Muesmuseologist), artist & Thinker, Omit Curator NGMA, Bengaluru, and presented by JMS Mani’s family, this posthumous exhibition draws together key works spanning his iconic Badami series, expressive landscapes, and sensitive charcoal and mixed-media drawings and sketches, offering Mumbai audiences an intimate encounter with an artist who shaped both canvas and community. His first solo show happened in Jehangir Art Gallery in 70’s. Rooted in a rigorous academic foundation, Mani’s early practice honed traditional disciplines of light, form and perspective, later blossoming into an intuitive painterly vocabulary that balanced realism, symbolism and emotional intensity. His celebrated Badami series remains central to Indian art discourse, elongated rural figures, dusky-skinned, rendered with sincerity and grace, their gestures carrying the poetry of daily labour and social memory. These works reaffirm Mani’s lifelong conviction that dignity lives in the ordinary and beauty in lived experience. Equally powerful are Mani’s landscape studies, from the atmospheric ruins of Hampi to abstracted chromatic vistas, where nature becomes metaphor for time, memory and the human spirit. His drawings, often executed in charcoal, reveal a master draftsman able to distill emotion through line alone, capturing movement, fragility and stillness in equal measure. Throughout his evolving practice, Mani cultivated his studio as a sanctuary of creativity and learning, a space meticulously organised yet spirited, where students, artists and grandchildren entered freely. As a devoted teacher and principal at Ken School of Art, he encouraged experimentation, peer support and the courage to think beyond conventions. His belief in nurturing the next generation remains one of his greatest contributions to Indian art. UTKARṢA honours not only a master painter but a mentor whose life’s work embodies artistic excellence, humility, and the deep conviction...

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“AAWARAN” Solo Show Of Paintings By Contemporary Artist Sonu Gupta In Jehangir Art Gallery

From: 10th to 16th November 2025 “Aawaran” Solo Show of Paintings By Contemporary artist Sonu Gupta VENUE: Jehangir Art Gallery 161-B, M.G. Road Kala Ghoda, Mumbai 400001 Timing: 11am to 7pm +91 8767017725 Sonu Gupta’s solo exhibition ‘Aawaran’ moves like a quiet blade through the theatre of human psychology. These works aren’t content with surface aesthetics; they pierce the soft underbelly of identity, asking the viewer to confront their many selves; the borrowed masks, the inherited fears, the curated performances we stitch into our skin simply to survive society. Gupta does not lecture; he reveals. Patiently. Relentlessly. With tenderness and unease in equal measure. This show was inaugurated on 10th November 2025 by Honorable Guest Padmashri Dr. Soma Ghosh – Indian Singer of Hindustani Classical Music, in the presence of Mr. Padmanabh Bendre(Eminent Artist), Mr. Siddharth(Veteran Artist), Mr. Dev Inder(Eminent Photographer), Rishiraj Sethi (Director – Aura Art Development Pvt. Ltd.), Vishwa Sahni(Renowned Artist) among others. The figures here hover between flesh and fiction. The artist realistically rendered their bodies, but their presence dissolves into abstraction, as if memory itself is glitching. Masks appear not as props, but as organs we have grown used to breathing through. Some are stark white, sterile and compliant; others burn with ornamental complexity, as though the mind’s labyrinth has finally broken the skin. There is a ritualistic undertone, a soft echo of purification rites shadowed by the modern fatigue of having to constantly recalibrate one’s face for the world. Gupta’s palette, warm and muted, feels ancient and digital at once, earth and algorithm in conversation. These blurred edges and pixelated textures quietly insist that identity today is never fully analog, never fully sincere. We live filtered. We feel edited. We unmask only when absolutely necessary, and even then we tremble. Aawaran acknowledges veils exist, not just to deceive but to protect, nurture, and incubate. Just as soil holds the seed and night shelters the dawn, these human masks sometimes prevent us from shattering. The exhibition’s deepest argument whispered, not shouted, is that vulnerability is a pilgrimage. Peeling away the layers is not a dramatic act of exposure, but a slow devotion to truth. In a world obsessed with hyper-visibility and polished personas, Sonu Gupta invites us to pause. To breathe. To ask the uncomfortable question: When all the layers fall, who remains? And perhaps more importantly, are we ready to meet them? —Sushma Sabnis – Mumbai.   “AAWARAN”  Solo Show Of Paintings By Contemporary Artist Sonu Gupta...