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Mamta Tambe( Mamta Baldev Chandiramani)is well recognised by her activities in the Society received more than 50 awards from government and many ngo towards her achievements is a great example to many ” Where there is a will there is a way” Recently she was honoured by Honourary Doctorate from The American University as Social activist .She is also awarded as Blissful Queen from London, Saraswati Bai Dadasaheb Phalke Phalke as International iconic Women and Women A however in her training the other visually impaired personalities of the society She was born premature with no vision on July 27,This barrier did not stop her growth and development in any way as she is a person of strong will power, determination and positive attitude. She lost her father when she was 13 years old. Right from childhood she was very independent. She completed Diploma in basic computers using screen reader software (Jaws).Her passion to explore dreams did not stop here , completed 2 degrees of Indian Classical music (Vocal as well as singing), Medical Transcription, Typing, swimming, singing, Reiki, Casio, flute and making friends. She followed the example of Helen Keller who overcame all the barriers in life in spite of her strongly believes that: “DISABILITY CREATES BARRIERS, BUT DETERMINATION BREAKS THEM” Mamta Loves reading and listening to books she reads a lot whenever she gets times specially e books, some audio books and stories.When She was in 9th, she also started to learn Mobility cooking currency identifying and other independent living skills etc, which in turn made her more independent. “Life is either a daring adventure or nothing at all.” Mamta was born in Philippines (Manila) She started her childhood in Thailand, did her Pre-pdisabilities.Sherimary and primary school From Bangkok Thailand, secondary school (SSC) from Bhavans A.H. vadia High school Andheri Mumbai Under the Integrated Education Program, Junior college from Ferguson College Pune along with staying in the hostel there where in the 12th standard Mamta with her confidence positivity and personality was crowned superintendent of Ferguson college ladies’ hostel for 1 fully Year from 2003 to 2004. Senior College Sathaye college Vile Parle (E) T.Y.B.A. Topper Majoring in Education of 2008 Batch. Further did her M.A. from Mumbai University. She has thorough knowledge of computers and software with JAWS in the whole of India to Complete her T.Y.B.A in Education, (six papers) From Sathaye College(Mumbai University). Topped Mumbai University with the highest percentage and marks in the general... 
The National Poker Series India (NPS) in its milestone 5th edition in March 2025, promises to elevate India’s poker landscape to newer heights. Exclusively hosted on PokerBaazi, NPS 2025 boasts an unprecedented ₹100 Crore prize pool, positioning it as the biggest and most prestigious poker event in the country’s history. Navkiran Singh, Founder and CEO of Baazi Games, commented, “The National Poker Series India is a platform that transcends mere competition; it is a movement that recognizes poker as a serious skill-based mind sport in India. Each edition is designed to emphasize strategy, precision, and mental endurance, enabling players to refine their abilities while promoting the sport across the nation. We are proud to host the National Poker Series India for its 5th edition with a ₹100 crore prize pool—the biggest our country has seen yet. We aim to deliver an unparalleled experience at PokerBaazi, to empower the talent of poker players across India.” Building on the overwhelming success of the 2024 edition, which drew over 2.25 Lakh entries and offered a prize pool of ₹62.5 Crore and 450 medals, NPS 2025 is set to raise the bar even higher. Players can anticipate an event of extraordinary scale in 2025, making the 5th edition the most competitive and rewarding yet. Since its inception, the National Poker Series India has attracted over 5.33 lakh entries, hosted 404 high-stakes tournaments, and awarded 1,221 players with medals, solidifying its position as India’s premier platform for competitive poker. In the 2024 edition, Deepak Singh from Delhi emerged as the overall champion with 3 Gold, 1 Silver, and 1 Bronze medals. The competition was fierce, with Abhishek Sonu from Bihar and Samay Modi from Maharashtra also securing podium finishes. Maharashtra led the medal tally with over 100 medals, closely followed by Delhi with 83, illustrating the regional pride and intense rivalry that NPS has come to symbolize. The schedule of the tournament series that surpasses the rewards of some of the country’s largest sports leagues is expected to follow soon. National Poker Series India Reveals An Unprecedented Prize Pool Of 100 Crore For Its 2025... 
समर सिंह, शिल्पी राज, वैशाली चौधरी संग गाना ‘कमर के नीलामी’ वायरल भोजपुरी ने किया ग्रैंड म्यूजिक लांच देसी स्टार समर सिंह जब भी कोई गाना कमर पर लेकर आते हैं तो वह सुपर डुपर हिट होने के साथ ही साथ वायरल भी हो जाता है। विगत कई सालों से समर सिंह का कमर वाला गाना तहलका मचाया हुआ है। ऐसे में बाबा विश्वनाथ की नगरी वाराणसी में समर सिंह और शिल्पी राज का गाया हुआ भोजपुरी सांग ‘कमर के नीलामी’ का ग्रांड म्यूजिक लॉन्च एक होटल में ‘वायरल भोजपुरी’ म्यूजिक कंपनी ने किया है। इस अवसर पर म्यूजिक कंपनी वायरल भोजपुरी के हेड विक्रांत नेगी, हितेश, देसी स्टार समर सिंह, एक्ट्रेस वैशाली चौधरी, अभय पांडेय, सिंगर मनोज लाल यादव, एस के आनंद, अंकित मिश्रा, गीतकार आलोक यादव सहित तमाम दिग्गज हस्तियां मौजूद रहीं। इस दौरान समर सिंह और वैशाली चौधरी को देखने के लिए फैंस की काफी भीड़ जमा रही। दोनों कलाकारों ने मीडिया के सवालों का जवाब दिया और साथ ही सोशल मीडिया क्रिएटर संग ‘कमर के नीलामी’ गाने पर ठुमके भी लगाये। यह म्यूजिक लांच बिग लेबल पर किया गया, जिसकी हर कोई तारीफ कर रहा है। इस मौके पर ‘कमर के कमानी’ सांग बड़े स्क्रीन पर दिखाया गया, जिसकी हर किसी ने खूब तारीफ किया। गौरतलब है कि वायरल भोजपुरी के ऑफिसियल यूट्यूब चैनल पर रिलीज किया गया बिग ब्लास्ट सांग ‘कमर के नीलामी’ को समर सिंह और सिंगर शिल्पी राज ने मस्ती मूड में गाया है, जिसे क़ाफी पसंद किया जा रहा है। इस गाने के वीडियो में समर सिंह के साथ एक्ट्रेस वैशाली चौधरी नजर आ रही है। उनकी केमेस्ट्री फुल टू धमाल मचा रही है। इस गाने के गीतकार विक्की रौशन, संगीतकार रौशन सिंह, डिजाईन डीजे रवि राज ने किया है। कोरियोग्राफर असलम खान, वीडियो डायरेक्टर असलम खान, डीओपी राहुल यादव, कॉन्सेप्ट समर मोदी, प्रोजेक्ट बाई अभय पांडेय का है। स्पेशल थैंक्स अंकित मिश्रा, आशीष सत्यार्थी का है। सांग लॉन्चिंग के अवसर पर समर सिंह ने मीडिया के सवालों के जवाब में बताया कि ‘कमर के कमानी फुल एंटरटेनिंग सांग है। इस गाने की मेकिंग में हम लोगों ने काफी मेहनत किया है। यह गाना मेरे दिल के बेहद करीब है। वैशाली चौधरी ने बहुत अच्छा काम किया है। हमारी केमेस्ट्री फुल इंटरटेनिंग है। वायरल भोजपुरी म्यूजिक कंपनी ने बहुत ही बेहतरीन सांग बनाया है। यह गाना देखने और सुनने में लोगों को बहुत मजा आएगा। सभी से गुजारिश है कि इस गाने को अपना प्यार और आशीर्वाद दीजिये और हिट बनाइये।’... 
India, 2024 – The Internet Governance and Policy Project (IGAP) has today published its latest report, “Social Media Transparency Reporting: A Performance Review”, offering a detailed analysis of how Significant Social Media Intermediaries (SSMIs) are complying with India’s Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021. The report assesses the performance of major platforms, including Facebook, Instagram, WhatsApp, YouTube, Twitter/X, LinkedIn, Snap, ShareChat, and Koo, focusing on their content moderation practices and grievance redressal mechanisms between June 2021 and December 2023. As concerns over harmful online content, including misinformation and hate speech, continue to grow, IGAP’s report highlights key gaps in transparency across these platforms and calls for enhanced accountability to Indian users. The study also provides a comparative analysis with international frameworks such as the European Union’s Digital Services Act and presents actionable recommendations for improving transparency and compliance practices. Key Findings: Inconsistent Reporting: While platforms like Facebook and YouTube offer relatively comprehensive reports, others such as Koo and LinkedIn provide limited data, making it difficult to evaluate their adherence to content moderation guidelines. Lack of Clarity on Automated Monitoring: Platforms like Snap and ShareChat offer minimal disclosure on content proactively removed using automated tools, raising questions about the effectiveness of their systems in addressing harmful content such as hate speech and child exploitation. Complex Grievance Redressal Mechanisms: Platforms such as Instagram, Facebook, and Twitter/X maintain both global and India-specific grievance systems, leading to confusion for users and inconsistencies in data reporting. Need for More Granular Data: The report emphasizes the importance of providing more detailed disclosures, particularly on content moderation in regional Indian languages, law enforcement requests, and actions against repeat offenders. Recommendations: IGAP’s report outlines several key reforms to improve transparency and ensure better accountability: More Granular Disclosures: Social media platforms should provide detailed data on user complaints, content removals, and the diversity of Indian languages to ensure fair and equitable moderation practices. Standardized Reporting Formats: Platforms should adopt consistent and uniform reporting formats to improve accessibility and comparison of data across different platforms. Improved Oversight of Automated Tools: The report calls for clearer reporting on the types of content flagged and removed by automated systems, with a focus on emerging concerns such as misinformation, deepfakes, and synthetic media. Rakesh Maheswari, the Lead Author, and former Senior Director and Group Coordinator (Cyber Laws and Data Governance Division), Ministry of Electronics and Information Technology (MeitY), stated, “Social media platforms have a responsibility to create... 
~The Blockbuster Musical Transcends Borders and Continues to Captivate Hearts~ New Delhi : After an overwhelmingly successful run in Mumbai, the world’s first mega musical on Shri Krishna, Rajadhiraaj: Love Life Leela, is set to enchant audiences in New Delhi at the iconic Jawaharlal Nehru Auditorium, with shows scheduled from November 29th to December 8th, 2024. Conceptualized and brought to life by the visionary Dhanraj Nathwani, this spectacular production has redefined Indian theatre, offering an unprecedented portrayal of the magnanimity and grace of Shri Krishna through a mesmerizing theatrical experience. In the landscape of Indian theatre, no production has matched the scale and emotional depth of Rajadhiraaj: Love Life Leela. The musical masterpiece, which ran to packed audiences at the Nita Mukesh Ambani Cultural Centre’s (NMACC) Grand Theatre in Mumbai, received high praise from celebrities and audiences alike and has solidified its status as a cultural phenomenon, resonating with people of all ages and leaving an indelible mark on India’s entertainment history. Inviting audiences to experience the magic and majesty of Shri Krishna, Dhanraj Nathwani, said, “Creating ‘Rajadhiraaj: Love Life Leela’ has been a journey of devotion and passion for me. Shri Krishna’s life is an endless source of inspiration, and through this musical, our aim is to share the beauty, wisdom, and love that he embodies. I am thrilled to bring his timeless stories and intertwining journeys of Shri Krishna as Shrinathji and Dwarkadheesh, in a way that has never been seen before, embarking the audience on an unforgettable journey into the divine saga of Shri Krishna.” He further added, “Bringing Rajadhiraaj to Delhi holds immense significance, as we are close to Krishna’s birthplace and the revered land of Mathura-Vrindavan. Being in proximity to such a sacred area allows us to feel a deeper connection with Krishna, while we share his timeless stories with a broader audience. The success of our shows in Mumbai has reaffirmed that Krishna’s life and teachings resonate profoundly with people of all ages. We are excited to bring this unique theatrical experience to the audiences of Delhi.” With rich storytelling, stunning visuals, and soul-stirring live music, Executive Producer – Bhoomi Nathwani promises an unforgettable experience. Written by renowned screenwriter Padma Shri Awardee Prasoon Joshi and directed by seasoned musical theatre expert Shruti Sharma, this production takes the audience on an enthralling journey through Shri Krishna’s playful and divine tales. From Vrindavan to Mathura and Vraj to Dwarka, over 180 artists bring this musical... 